Stefani

This is a long post coming, and may seem a bit abrupt if you haven't caught up with real time accounts on medias who keep trying to break through both fact checking and birdwatch with actual news in real time. If you're not yet aware that the inauguration was prerecorded and that the first day in the White House was actually from a film set NOT in DC, then you have some catching up to do. But this post isn't about that.

This is about The List flying under the radar. The list of arrests and the consequences. The list of who's gone.

I started working on interpreting this video several weeks back on another blog. I'm sure my current (seeming) misinterpretation of it might seem a bit slow coming (especially since the dreams have been hammering me for months), but the idea very suddenly broke through this morning that Stefani might have been granted (ordered?) to show everyone what's actually behind her real story, and now I'm seeing 911 as the story of the death of the ways of her kind (elitist crimes against humanity), which is delightfully ironic once you know the 'truther' 911 factoids, and actually pretty brilliant. I'll give her that, since I've bemoaned her bland repetitious style elsewhere. Or, the storyboard could have been heavily monitored, you decide.

For those not yet able to wrap their minds yet around what I'm really saying, I don't even know what to explain here because most people will think I'm horrible, but if you really look into the history of the play this vid is based on (and is now exposing), you would feel sick, so it's not me, it's originally the playwrights and entertainers and political/religious grip of control over societies, so I'm not going to worry about whether I'm the one who looks horrible compared to that. I just know this has been nagging at me for a couple of months and I think I finally figured it out. I'm going to keep my original conclusion about the overt layer that no one quite gets, but I'm now adding the obvious, because in all final interpretations of multilayered symbolism, sometimes it just plain boils down to literalism. 

So let's look at this very literally. What is really going on in this vid?

Stefani's life is in a wreck. A mysterious observer can see her entire perspective. I covered the pomegranates last time, but if you aren't familiar, they are a 'life force' fruit. Stef is on a bike bringing pomegranates across a desert when something happens and she and the poms are nearly destroyed. Stefani secures product and transport. I'm not sure how literal that is, I'm sure her presence in any given locale is mostly the doorway between meetups, because A-list celebs walk the earth between elite world leaders without raising eyebrows. At any rate, this guy. Pay attention. I can't tell you how many times I missed this.

Later on in the vid, we see that this ankle bracelet is an artistic dreamscape interpretation of a wound her leg suffered in the accident. Everything red in this vid is blood, and there is loads of red. However, the red also doubles for another kind of blood, which isn't as obvious until you follow the literal scenes. I'd like to interject that after Stefani's life was abrubtly scuttled, she most likely went under house arrest with an ankle monitor, like a number of celebs, CEOs, politicians, and religious figures have coincidentally all been dealing with this year. Lotta boot casts out there. Stef was not immune to being ankle cuffed.

The mysterious figure leads the way to what looks like the sort of small Catholic church that you find in the desert southwest of the United States and often see in old westerns. Stefani follows.

One of the biggie central scenes starting off in the tiny town in front of the church was a display of Stefani behind a type of decorative grill that kind of mimics the towers arch doorway of Baal, wherein she does several key poses, including a Baphomet pose. At the end of the display scene, she acts like she is being choked, and looks like she might be mimicking what someone might go through being hung. This brings to mind all those weird red bandana celebrity doorknob 'suicides' where they wound up dead after they started talking about stuff they weren't supposed to.

I have no idea if this part of the vid is a communications device to certain watchers who know things, or if she was told to do this, or if she's signaling that it's all over for her.

👆 This really quick scene caught my attention. In my last interpretation review, I brought up that the wrapped corpse reminds one of the wrapped sacrifice for spirit cooking that Marina Abromavic demonstrated. Marina is one of Stefani's 'artpop' trainers. What is this guy doing in this scene? It's not the last time we see him doing something covert to someone with his hand being hidden.

I'm going to spend a little time on this scene. The veil to the temple is pretty obvious, the sacraments, possibly the 'holy' water. Stefani kind of looks like a temple prostitute/priestess.

When I zoom in on the baubles in the water, it kind of looks like the mysterious observer is in the room watching.

Why are figures hung by the neck at the veil in front of the entrance to the inner temple?

This was a hard snip to get because the constant moving is blurry. It's kind of a what the crap scene. Those rods are bored into Stefani's face, right through cheekbones, all around what would be her sinus and upper teeth. I'm going to get gross and say I've seen actual photos of children who are strapped down in small dentist chairs in big empty rooms, and gizmos are holding their lips way back from their bloody teeth, and they can't move or flinch for all the hardware bolting their faces into position. The first time I saw pix like that, I thought it was some crazy off the wall art. Now I know it's real.

Better closeup. This is a pretty artful version of very bad things that cause great suffering. Again, happening in that little church.

Meanwhile, this is happening on the side of the room while Stefani 'dances', or writhes in agony, whichever you prefer. The 911 priest and the political ruler both have their eyes covered.

They are in the same room with the writhing sufferer, hinting that they are very aware this is going on. Stefani is seen now in front of a big cauldron, presumably into which blood is drained. I've seen exsanguination rooms. This is a bit fancied up. Desanguinating victims has a very long, dark history.

Oh, look, now the ruler is being given something to drink from that special cup while a pope stands by doing things with a mirror. Is she literally playing the black pope? There is a very long, dark history behind that, too. Interesting that the light flashes as the blood is drunk. Perhaps this is a spiritual ritual with the one who is called the light, but he's not really.

And then the mirror looks completely devoid of any reflection. Is the soul gone? Can one even still have a soul after drinking the blood of tortured victims?

There's the ankle bracelet again, and this time Stefani is leashed. Of course, in the video, that represents her lifeline back to the paramedics, but I'm pretty sure this scene is doing multilayered duty with a handler who won't allow her to escape even through death. If you've watched all her vids, you know handlers were an early theme.

Oh, look, the water again. And the soulless pope person. No idea why, but the baubles are making me think they look like tiny islands now. Could be a whole other intent in the perfect circle that follows them around.

I can't tell if the mysterious observer is reflecting in the baubles again. Is that pool full of little baubles? Are those souls? Does the 'light' hold them prisoner?

So Stefani is forced back to life all covered in blood, the handler (looks like some kind of mercenary voodoo doctor) shows us he has that rope and the cauldron is outside now, right behind him, so he's in control. The pope is passive. 

Baphomet hand signal. She is now in allegiance. The tree sprouting from her head is the Kabbalist tree of life, the DNA of the children of the chosen elite who 'feed' their families. The bloody bracelet, the bloody ring, all signals that Stefani is now controlled.

I can't tell what this is on the necklace.

👆 THIS. 👆 What is happening? The mysterious observer is leading them all through the town, carrying the New Mexico state flag? Why New Mexico? There may be several meanings here. New Mexico is where Epstein had his big pedo ranches that met up underground with tunnels coming over the southern border. The flag of New Mexico also carries a very unique symbol that means stuff. You can go learn about the Zia sun symbol. Is the mysterious stranger part of this? Hard to say at this point.

Now we get to some really interesting visuals. The pope figure handling a snake? Well, later in the vid she's a paramedic, and we know that snake/staff symbol, but don't stop there! A number of people have been remarking last couple of years on how much the Jesuit Pope's audience hall resembles being inside a snake head, as well as noticing the Pope hosted a snake god at the Vatican...

This scene is super special. We have the cartoonized version of the 'real story' on a wall behind Stefani, again being tortured. As the handler's arm disappears up her robes, she goes into convulsive shakes, presumably in a great deal of pain, and now the rods are bored into her head. The pope sits passively by holding a snake out. What are the igloo-like domes? Are they tunnel entrances?

Once the handler is done and the convulsions stop, Stefani grows very calm and blank. The calamity on the wall might be representing what we'd see on our news screens, explaining the cover story.

I wanted to pay special attention to this shot, so I filtered it. The handler is wearing a triple X ring, pretty sure we all know what XXX means. His hand is over her heart, symbolically he now controls what her heart wants. I made a comment in my last review of this vid that the rods in Stef's head look like a network of antennae, which I'll now say goes well with her being a designated public figure linked up with our elitist world leaders, especially in the U.S. government. I also asked if those were the tens horns, like in Revelations, which is really eye-opening when you think of horns as antennae, possibly satellites. The handler, under the authority of the Vatican, controls and manages Stefani, who in turn works for the political elite. I shared this pic, also.

If this is your first MK Ultra reveal (mind control programming), yes, it really is this bizarre, except that artful interpretation of it makes it more surreal. You can see the now controlled Lady Gaga reaching for the persona they want her to put on for the public, represented as an outfit. It has a domed headpiece mimicking the Pope's headpiece. The handler's hands look like he's guiding a puppet on invisible strings.

And we see her doing this in concert a lot, too. We are made to think it is her will to show off and be in the spotlight doing over the top things, that she is directing all of it. Pretty sure much of that is a cover.

Just before scene change we see that Stefani has become as passive as a cow, close to her watchful handler.

And now Stefani is on display in front of what looks like police tape, with Latin on it? Workers scurry around her while the soulless pope holds a mirror.

Back to the church! The handler leads the way while the blind priest and the blind ruler follow behind, with Gaga posed like a statue for everyone to gaze upon. What's in the box?

Oh, goody, knives.

All the players gathered inside the church. Stefani is now in black lace with the medical stretcher behind her. For all intents and purposes, this entire scene comes off as a smash between a black mass and a trial. Oh, look, the mysterious observer is over by the wall on a colorful fake horse.

And dayam if he isn't the executioner. O_O AND he is wearing an actual cross on his wrist. Wonder what that pinky ring is...

I have no idea who this is or why he's even in the video. I'm going to hazard a guess that he knows everything behind all the cover stories and is in full control of how this mess will play out.

Stefani is extremely distressed. 

I was trying to see the symbols better but that didn't really help. I don't know what they are, but she's 'marked'. They look branded on. Pretty sure it's this symbol from her album cover, which is in the shape of a very early developing fetus that still has the spinal tail. This is what lends to the thought that this might be her last 'farewell' confessional album. We'll look into that in a minute.

Here is a representation of the towers and doorway of Baal, this time inside the church during whatever was going on. Is it being used as a witness stand? I have no idea what's going on there.

The players get pretty funky. Reminds me of chess pieces, and of robots.

I stopped getting screenshots after that.

So today I'm looking back at this vid as more of an interpretive history of who Stefani really was behind all the trappings.

As I pointed out last time, Stefani was mentored by Marina Abramovic. They look quite similar. Marina put Stefani through very grueling rigorous physical and mental exercises, and there are photos floating around of Marina and her star pupil attending ritual gatherings and events that emphasize a lot of blood and humans as sacrifices and food. Also, there is this. Go look, I'm not going to drag it over here, it's disgusting. More here if you have facebook.

Now go look up what causes panda eyes. 😖😨😰😭

A networked very public group of people who've been household names for us all through our lives are in very hot water. I'm hearing that their crimes against humanity are/will be catching up with them. We may not see anything about that on normal 'news', just like how we don't see what they really do behind closed doors.

Anyway, after having thought about all that, isn't this interesting? These snips click to sources.

Drinking the blood of tortured children is a massive crime against humanity, one that carries the death penalty. Doesn't hurt to be aware that this is a very real thing and looks like it's about to go public.

Imagine an entire industry showing this kind of behavior off and hardly a soul batting an eye.

Atlantis

This think review is the original, which I'll be copying to SyfyDesigns here.

Pix click back to sources. Ancient Aliens screenshots from my TV will click back to their History Channel episodes that were broadcast.

Very early on coming back out public, I was picked up by a little gang who did Stargate Atlantis (SGA) watches in a chatroom at SyfyDesigns. Stargate Atlantis is the second series in the Stargate franchise, a natural continuation of Stargate SG-1, and a precursor to understanding Stargate Universe. The franchise was based on an original movie that came out on 1994, which itself appeared after a long dry spell in scifi in the movie industry. Despite initial boos from critics, the Stargate movie, a French-American film originally released through MGM, won a number of awards and is considered a break-through film.

Of course, Stargate Atlantis is based on the legends and myths of Atlantis that we have around the globe, and just as SG-1 reimagined and explained the reality and science behind our myths of all the gods throughout human history, SGA reimagined and explained the reality and science behind the legend of Atlantis, which turns out to be a very real city that once existed on earth, but actually built like a spaceship that could pick up and leave, and wound up deep beneath an ocean on a planet in another galaxy. An SG team is sent to investigate after discovering clues on Earth, and the series rolls out from there.

The entire Stargate premise starts out with and heavily relies on pyramids, circular stargates, and loads of symbols. While the show looks to be about the gods that star in our myths, the undercurrent is always about the gates themselves, the advanced technology, translating the symbolism from other languages, and how our world militaries learn to cooperate while building trust and relationships with other races of beings in our universe. There are good guys and bad guys, ultimately explorations in points of view since good and bad become smeared, and also the gods themselves, but this kind of stuff happens in scifi shows across the board, so I'm ignoring it here. I'm not going to discuss characters and plots and the entertainment industry. Rather, I'm going to discuss reality and how fiction fits into it, particularly the Stargate franchise and our Atlantis myths.

Our Earth has real pyramids. Lots of pyramids. Lots and lots of pyramids. Just about anywhere you go on our planet, we have pyramids. Sometimes they're called mounds or temples, but oftentimes we find that they are really pyramids. The funny thing about these pyramids is that they seem to line up with constellations, they seem to lay along ley lines, and they have been permeating cultures time out of mind. They are utterly mysterious, making no sense, relics seemingly without purpose, and if you're keeping up with the archaeological sciences at all, they are turning out to be very, very cool.

The creepy thing about the Stargate franchise is that they were using pyramids complete with accoutrements for entertainment before some of these things showed up in very real science. While Star Trek gets a lot of credit for pre-inventing our modern tech, pyramid discoveries are flying under the public radar, and they're way bigger than automatic sliding doors and cell phones. If you were to check on all the latest pyramid science buzz going on around the globe and then go back and watch the entire Stargate franchise, the hairs would go up on your arms and neck. Real life is getting spookier and way more entertaining than all the scifi out there. Guys, we are living it.

Right off the bat, I want to bring up the SG-1 episode where a scifi show called Wormhole X-treme is based on the Stargate program using leaked info, and "The Air Force had decided that while being a breach of secrecy, the show could prevent any future leaks of information about the Stargate program from being taken seriously." This is not a new idea. I grew up alongside the entire Star Trek franchise, and I'm not the only person in the world who feels like it was a great way to not only get ideas out across all borders and boundaries, but lead the way into a new kind of world cohesion in the form of fandoms. I don't know whether that was intentional, but I believe it certainly is now as I watch world sync happening over the Doctor Who and Marvel franchises. Entertainment is leading the way in a new kind of world citizenship like human history has never before seen, and at its roots it started with television shows about star travel.

I'll interject that some of you know I also grew up in a household heavily steeped in end-time prophecy, UFOs, conspiracy theories, numerology, and Atlantis was among that. Because I'm trained from childhood, it's probably natural that I come to the conclusions I do, but I want to make sure we don't beg the question. Which comes first, conspiracy theories or mysteries? Because the conundrums are out there. Blowing off the conspiracy theories doesn't make the very real conundrums in human developmental history go away, and it's very interesting that the conspiracy theories are turning into very lucrative entertainment nowadays, which manages to both plant more seeds in all our brains and callouses us to taking the questions seriously. All we have to say is You watch too much TV.

On SGA, the SGC put together an international team of scientists and a special ops U.S. military team to travel to the lost city of Atlantis in the Andromeda galaxy. The CGI is fantastic and well worth the watch. The wraith were an unexpected twist and I'm still not keen on them, but the idea blossomed into adaptive DNA and from there I was fully on board. It's really too bad the wraith and goa'uld never meet, that could have gotten brutal. At any rate, humans survive all the obstacles and bring Atlantis back to Earth in the end.

So let's talk about Atlantis. The myth is still very real, kept alive through sometimes bizarre enculturations, but some historians do not discount it. Myths have a way of coming alive through archaeology, and we are living in a stellar century for discovery. Our modern tech and equipment are getting better, our dating techniques are getting better, our historical analysis is finally getting better as different science fields collide and integrate, and most of all, our world sharing in real time is phenomenal. We've never been able to put so many minds to so much work on the same things all at the same time like this before. All these things are very real and ongoing, so to say entertainment is creating a bunch of dismissible hooey is very misleading and exactly what it's there for. One of the big concerns with discovery is how disruptive the truth would be to society, right? We hear it all the time in fiction shows- hide the truth so we don't freak people out. But still they keep freaking us out with some really wild and crazy entertainment, and we're taking that just fine, so I feel like entertainment is either being used to callous us, or it's being used to slide truth under our radars. That's right, a conspiracy theory about entertainment itself. It's not new, guys. I heard conspiracy around entertainment as far back as The Electric Company being used to brainwash the next generation (now your grandparents), starting from childhood, so this is really old stuff. Personally, I'm not against using entertainment to brain train, although it's simultaneously breaking down barriers and building up other barriers, so it's a bit confusing, and part of the growing pains I talk about in other places.

One of the biggies lately is The Curse of Oak Island on the History Channel. That is one of the top ten conspiracy theories worldwide, ranking just under Atlantis and the pyramids. The myth behind Oak Island is that the Templar Knights hid something down a shaft that is so difficult to get to that it's taking years, millions of dollars, and industrial equipment trying to get down there. I'd say this borders on Atlantis frenzy. Growing up, I can't tell you how many times conspiracy theorists erupted with We found Atlantis! and it always fizzled out. Well, Oak Island is still going. It's not fizzling out.

Along the way to archaeological findings are weird conundrums, like some kind of tech in seriously wrong layers of time, which creates all new time travel conspiracy theories, or threatens to shred the human development timeline that anthropologists have already set up. This is nicely explained away in TV shows like Stargate Atlantis, of course, but the fact is that these conundrums still exist whether a TV show makes them up or not. What's creepy, honestly, is when fictionalized TV shows predict real life before real life happens, like an entire franchise spending years brain prepping us for the latest revolution in archaeological thinking, and here is where I intro Ancient Aliens.

Before I go any further, I can't help interjecting that so much of our own space program shares the same project names with entertainment companies, and all these names are from gods that come from the stars. Something to think about. I can't help thinking that documentary style archaeology is supplemental to fiction in a way that continues toward specific concepts being seeded into our minds, since one show is produced by a company that has the same name as a spaceship in another show, and I could really go to town with this if I dragged pop music into it seeming to use prompted buzz words across a number of artists and song titles, like 'satellite'. One could argue that these are all common anyway and therefore not coincidental. I say fine, let's move on.

Ancient Aliens is a documentary series consisting of a team of scientists and historians from all over the world coming together to work on the conundrum that may be behind all other conundrums and may be finding answers by putting pieces of the entire jigsaw puzzle together in a way never before possible. Now that we have satellite views of earth, space telescopes, world class computing, and millions of brains trained to problem solve, we are going back through all the old conundrums scientifically and remapping our thinking. It's no longer acceptable to brush inexplicable conundrums off with the idea that primitive peoples were actually capable of things our modern technology is not. Embracing that as ludicrous is key to moving forward. I can't help thinking what great timing this is with not only the Stargate franchise, but with.... Minecraft.

I'm about to show you something really funky. If you are a minecraft gamer, all of this already looks very familiar. Our world hosts real archaeological sites filled with giant building blocks. Have we come full circle? What do these sites have in common, and how did they spring up all over the world without technology sync? The repeating patterns are undeniable. I think both Stargate fans and Minecraft gamers can appreciate this kind of significance.

But what really tied it to Minecraft for me was this bit.

Much of Minecraft is about block hardness and grief damage, and one of the three specific common blocks aside from cobble is andesite, which can be polished and used in construction.

Minecraft creator Markus Persson is one of those virtuoso kids, a genius already programming at the age of seven. How in the world did a game even come into being that looks like a mimicry of real life Ancient Aliens sites? I myself live in rugged country near state forests, and I can't get over how realistic this very simple concept is. If one really wants to get into conspiracy, one could also drag modern magic and alchemy into the discussion, which is exactly where Ancient Alien technology sent humans reeling for generations, it would seem. I'm sure this is a very odd coincidence, but it happened, and here we all are noticing it.

Back to Atlantis. These are symbols found on a very real crashed craft that was hushed up for years. No one has ever identified the origin of this craft. What is the point? This meant something to whoever put it there.

One of the mantras of ancient archaeological sites is "as above, so below". Ancient builds across entire continents lay out like constellations. Among the questions that instantly invites are why, how, and who in the world even thought of doing this?

Needless to say, I'm very much enjoying the 12th season of Ancient Aliens, click that to see full episodes yourself. Not paid to link that.

So the obvious question I'm leading up to is- Are the Ancients getting us ready for what's really behind Atlantis through entertainment and gaming? Are we being prepared to become world citizens with plug in jobs that include terraforming, big building, and coding? Will our militaries become work units in much larger collections of travelers, and will our ability to problem solve be the standard by which we level up in a new lifestyle?

Maybe our grandkids will have the answers to all this. By then we could all be plugged into the Matrix and never know the difference. For all we know, Atlantis could simply be Earth, lost to the heavens beyond, which cryptically brings up even more scifi shows about hunting for the planet of human origin. Why else would we be fought over and protected from catastrophic events in ancient history? And better yet, why are we so obsessed with it for so many generations if none of this holds an inkling of truth? It's almost like we keep being prompted to remember...